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Automation is being applied wherever possible, with interesting consequences: face recognition software used on CCTV footage to identify rioters, for example. It's easy enough to deal with drunk public order offenses and speeding tickets.
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We're living in the 21st century: it's not possible to write a novel that seriously explores modern life without a background that includes rapid, cheap international travel: the commercial space industry: smartphones and the internet and spam: social networking sites, Facebook and Twitter: the rapidly shifting reference points of life expectancy, gender roles, and politics.
This is always bad for the authorial blood pressure.
However, we have a technical term for an author who argues with reviewers: "idiot". However, below the cut, I'm going to put some bullet points for those of you who've read "Rule 34", just to draw your attention to some aspects of the novel that you might otherwise have skidded past. Yes, all the main protagonists in the book are LGBT, or are somewhere on the Kinsey scale other than a 1, with the exception of the Toymaker. There are a lot of cliches in fictional depictions of LGBT folk (or, to be fully inclusive, QUILTBAG people).
That isn't even the way it works ; where it's going in another 15 years is anyone's guess, but going by the gripes on the various [anonymous] police blogs I've been reading, their IT support is roughly 5-10 years behind that of a private sector operation, albeit catching up rapidly.
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The vast project of re-writing the entire criminal law system in the UK is still under way, and criminal investigation (as opposed to public order policing) even today is a data-driven intelligence process.Cliche #1 is the novel with the single token gay protagonist whose sexuality, if it is visible at all (rather than merely being flagged by the author) is purely stereotypical and there to flag how open-minded and inclusive the author is.
